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Record compiled: Mo, 30. Nov -1, Revised: Do, 30. Nov 2017, 00:00:00 by: EC

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Lorraine Byrne Bodley und Julian Horton (Hrsg.), Rethinking Schubert, New York 2016.

Document ID:	6792
Author	Lorraine Byrne Bodley Julian Horton
Keywords
Document Type:	Sammelband (Autoren als Herausgeber)
Document Title:	Rethinking Schubert
linked with:	Is There a Late Style in Schubert's Oeuvre? Compositional Strategies in Schubert's Late Music Franz Schubert's "New Style" and the Legacy of Beethoven From Song to Instrumental Style. Some Schubert Fingerprints The Sensuous as a Constructive Force in Schubert's Late Works The Myth of the "Unfinished" and the Film Das Dreimäderlhaus (1958) Narrative Dislocations in the First Movement of Schubert's "Unfinished" Symphony (Re-)Theorising Schubert's "Reliquie" Records of Inspiration. Schubert's Draft for the Last Three Piano Sonatas Reappraised Musical Causality and Schubert's Piano Sonata in A Major, D 959, First Movement Conspicuous 6-Phase Chords in the Closing Movement of Schubert's Piano Sonata in Bb Major (D 960) Schubert, Social Music and Melancholy Axial Lyric Space in Two Late Songs. "Im Freien" and "Der Winterabend" Schubert through a Neo-Riemannian Lens Contextual Processes in Schubert's Late Sacred Music Elusive Intimacy in Schubert's Final Opera, Der Graf von Gleichen The End of the Road in Schubert's Winterreise Dissociation and Declamation in Schubert's Heine Songs "The Messenger of a Faithful Heart". Reassessing the Role of "Die Taubenpost" in Schubert's Schwanengesang Disability, Self-Critique and Failure in Schubert's "Der Doppelgänger" Challenging the Context. Reception and Transformation in Schubert's "Der Musensohn", D 764, Op. 92 No. 1 A Gauntlet Thrown. Schubert's "Einsamkeit", D 620, and Beethoven's An die ferne Geliebte
Location:	New York
Publisher:	Oxford University Press
Year of publication:	2016
Call numbers:	Call number A: Sch.I. Call number B: 4043 Call number C: (WA)
ISBN:	978-0-19-020010
Comment:	––
HK:	HK fix: WA
Revised on:	Mo, 07. Aug 2017